AUDIO INTERFACE AND MIC PREAMPS FULL
AUDIO INTERFACE AND MIC PREAMPS PLUS
AUDIO INTERFACE AND MIC PREAMPS SERIES

Intelligent Clock Control switches clock source seamlessly.

Stead圜lock FS extracts low jitter clock signal.

Quad Speed: up to 16 channels 24 bit 192 kHz.

Double Speed: up to 32 channels 24 bit 96 kHz.

Single Speed: up to 64 channels 24 bit 48 kHz.

Accepts 56 channel and 64 channel mode, plus 96k Frame.

Coaxial via BNC, 75 Ohm, according to AES10-1991.

Switchable high impedance (unbalanced TS): 1 MOhm.

Maximum input level, Gain 50 dB: -22 dBu.

Maximum input level, Gain 8 dB: +20 dBu.

Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA.

Maximum input level, Gain 75 dB: -57 dBu.

Maximum input level, Gain 0 dB: +18 dBu.

Equivalent Input Noise (EIN), 30 dB Gain: 123 dB RMS unweighted, 125.5 dB(A) 150 Ohm.

Signal to Noise ratio (SNR): > 117 dB RMS unweighted, > 120 dB(A).

Frequency response 192 kHz, -1 dB: 3 Hz – 43.7.

Frequency response 96 kHz, -0.5 dB: 4 Hz – 29.2.

AUDIO INTERFACE AND MIC PREAMPS SERIES

Stead圜lock FS Technology from the countless award winning ADI-2 Series This helps to optimize recordings and mixes because the soundstage has more depth and clarity. Digital format conversion in RME products are done without any loss or degradation, and Stead圜lock FS ensures your sonic image will never experience degredation.

AUDIO INTERFACE AND MIC PREAMPS FULL

The 12Mic offers full Stead圜lock FS performance for lowest jitter and highest jitter immunity.Įxcellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Unfortunately, the clock frequency is not always as stable as desired. In digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Stead圜lock FS - Reference class Digital Clocking States or controls can be operated directly on the front panel for each channel. The 12Mic user interface optimized for rapid configuration & control. As such, problem-solving of signals, clocking, connectivity or other issues is both simple and straight-forward! The integrated routing matrix allows for quick routing of any analog inputs straight to the headphone output, as well as all digital signals and AVB streams. RME AVB devices can also be fully remote controlled via a web-interface on any network link (including wirelessly over Wi-Fi), allowing for the rapid creation of gain groups, phantom power switching, and routing of signals to headphones for monitoring. Multiple layers of redundancy make the 12Mic a perfect companion for any kind of live sound application.Ĭontrol all device states directly from the front panel for convenient, direct access to all features. Any signal reaching the 12Mic can be routed and streamed over a network with fixed latency and guaranteed bandwidth - no switch configuration is required! The RME AVB Core has meticulously implemented the IEEE standards for audio- streaming, discovery and control, allowing RME devices to be both discovered and fully controlled by any AVB controller, and making vendor-specific control protocols a thing of the past. Additionally, the ADAT ports can also be used to send monitor mixes from the AVB or MADI inputs to existing DACs/headphone amps.įour connections also accept TRS connectors with switchable high impedance (Hi-Z) for instruments.ĪVB Audio Networking - 2 fully redundant network portsįor the first time, RME offers an AVB device with two fully redundant network ports, based on the recommendations of MILAN. Three optical ADAT outputs provide up to 24 channels of audio at single speed (for example, a combination of microphone inputs, MADI signals and AVB signals), or 12 output channels at 96 kHz sampling rate, ensuring compatibility with a wide range of audio interfaces. All twelve front-facing XLR connections accept microphone and line level signals, whilst the first four connections also accept TRS connectors, with switchable high impedance (Hi-Z) for instruments.īoth coaxial and optical (via an SFP module) MADI I/O is available for independent or redundant operation, and can be used for daisy chaining, merging and converting MADI signals at incredibly low latency.

On the converter side, the 12Mic shines with an outstanding signal-to-noise ratio on all channels. The PAD-free microphone input stages have a 75 dB gain range and accept signals of up to +18 dBu. Twelve transparent mic preamps for exceptional conversion performance RME Audio mic pres deliver pristine, transparent audio reproduction.

AUDIO INTERFACE AND MIC PREAMPS PLUS

The RME 12Mic features twelve microphone and line level inputs with digital, no-compromise, studio-quality conversion remote controllable gains integrated MADI and AVB connectivity plus a multitude of additional functionality, designed to make it the perfect companion for any professional recording setup. Designed for the Next Decade - RME’s first preamp for Audio Networks

Audio interface and mic preamps